

Accentuating Transients (Tonal Compression)Ĭonversely, you may find that the vocal take could benefit from having a bit more “bite” and “pop” to it. A faster attack will tell the compressor to latch onto these sharper transients, helping to control the ‘plosives’ or percussive nature of the vocal take. Tonal compression is a good way to control them. Overly pronounced plosive words can be distracting from the vibe of the song if not tamed. A compressor is one way to achieve greater control over dynamics and catch those loud peaks, but it isn’t always the best solution (more on this later). Is the vocal take varying too wildly in dynamics? Some passages might be too quiet while others are too loud (or vice versa). Controlling Dynamic Range (Dynamic Compression) We’ll also provide some good starting points for appropriate vocal compression settings for each of the listed scenarios.ĭownload The Vocal Compression Cheat Sheet In Full High-Res 1. I’ve listed out 3 common scenarios whereby you might reach for a vocal compressor.


Dressed To Compress: Your Vocal Compression Cheat Sheetīefore we dive into vocal compression settings and how to compress vocals, let’s first conduct a quick debriefing on how a compressor actually works.
